~ Author: Oberon
Patrice Chéreau's production of Richard Strauss's ELEKTRA originated at Aix-en-Provence in 2013, in the 1350-seat theatre there. It did not impress me when it came to The Met in 2016; though musically vivid, as a theatrical experience it got lost in the vast space of the world's largest opera house.
The Aix performance was filmed, and released on DVD in 2014. I came upon it by chance at the library, brought it home, and was blown away by both its musical and dramatic power. It is a production that cries out to be seen up-close, and the camera work for the DVD takes us right into the action, as if from the start we are in service at the House of Atreus and watching this domestic horror-story unfold before our eyes. A brief sampling from the DVD here.
The opera's story is absorbingly told, with some liberties taken. The shifting loyalties of the maids and other household members are cunningly delineated.
Veterans Renate Behle (visually fascinating), Franz Mazura, and Donald McIntyre make vivid impressions in smaller roles, and Chéreau's idea of casting the beloved soprano Roberta Alexander as the sympathetic 5th Maid pays off handsomely: her singing and her portrayal are riveting, and she is hugely applauded during the bows.
Memorable portrayals in the production:
Above: Tom Randle as Aegisth is aghast at being shown the corpse of his paramour Klytämnestra.
Above, siblings reunited: Evelyn Herlitzius as Elektra and Mikhail Petrenko as Orestes; the bass-baritone makes a strong impression as the haunted son of Agamemnon.
Above, the sisters: Adrienne Pieczonka as Chrysothemis and Evelyn Herlitzius as Elektra. Ms. Pieczonka sounds fantastic in this film (of a live performance), her top notes pealing forth.
Above: Waltraud Meier as Klytämnestra. Ms. Meier's singing, so alive with subtle inflection, did not always register at The Met, but she makes a striking impression - both vocally and visually - in the film. M. Chéreau eliminates the queen's hysterical laughter on learning of the death of her son; I for one don't miss it.
Above: Evelyn Herlitzius scored a great personal triumph as Elektra at Aix-en-Provence, and it is wonderful that her performance has been preserved. With a voice I would describe as "big lyric", Ms. Herlitzius does not sing the music as we are accustomed to hearing it sung. Both in voice and in her athletic physique, the soprano seems almost youthful, though in fact she was around 50 years old when the film was made (You'd never guess it by watching her!). She powers thru the vocal demands, and shows off a secure, brightish top.
However, the pressure she has put on her instrument in such arduous music has worn the voice down over time; her 2018 Met debut performances as Kundry were disappointing, showing the effects of hard usage on her timbre, the voice sometimes ineffectual in the large space. This makes having a document of her Elektra on fine vocal form all the more valuable, for her passion and commitment are unquestionable.
You can find copies of this performance for purchase here. It's well worth owning.
The Participants:
Elektra Evelyn Herlitzius
Klytämnestra Waltraud Meier
Chrysothemis Adrianne Pieczonka
Orest Mikhail Petrenko
Aegisth Tom Randle
Der Pfleger des Orest Franz Mazura
Ein junger Diener Florian Hoffmann
Ein alter Diener Donald McIntyre
Die Aufseherin / Die Vertraute Renate Behle
Erste Magd Bonita Hyman
Zweite Magd / Die Schleppträgerin Andrea Hill
Dritte Magd Silvia Hablowetz
Vierte Magd Marie-Eve Munger
Fünfte Magd Roberta Alexander
Coro Gulbenkian
Orchestre de Paris
Conductor: Esa-Pekka Salonen
~ Oberon