DANCE AGAINST CANCER: Gallery

Photographer Erin Baiano shares a portfolio of her images from the April 25th DANCE AGAINST CANCER benefit performance at Manhattan Movement and Arts Center. Above: New York City Ballet principal dancer Daniel Ulbricht in a solo of his own devising entitled Tatum Pole Boogie. Daniel, along with MMAC's Erin Fogarty, organized the gala event.

Since I was going to be at The Met on the evening of the benefit, Erin and Daniel very generously arranged for me to watch the technical rehearsal for the programme which began at noon. In the darkened theater, Daniel took a break from his directorial duties to run thru his solo with devastating agility and effortless airborne facility. Then he immediately bounced back into director mode.

Another dancing dynamo, Alex Wong (above) performed the solo 747 chroregraphed by Rachael Poirier. At the tech rehearsal, Alex sort of marked the piece though there was enough full-out dancing to see that he was going to knock 'em dead at the actual performance. Which by all reports is exactly what he did.

A programme change left time for a solo danced by a colleague of Alex's, Tara Jean Popowich (above).

From Carolina Ballet, Lara O'Brien and Attila Bongar (above) danced a lirico-romantic duet choreographed by Mr. Bongar. They looked beautiful together and fitted comfortably into the programme's stellar lineup.

I had to leave the tech rehearsal before Aaron Carr and Kristina Hanna (above) from Keigwin & Co ran their duet, Love Songs. Having recently seen these dancers in Larry Keigwin's EXIT at The Joyce, I imagine they were pretty exciting and that Larry's choreography would grab the crowd.

Attila Joey Csiki from the Lar Lubovitch Dance Company performed the four-part solo Little Rhapsodies which Lar excerpted from his 2007 work of the same title as a concert piece for Attila. Kathy Tagg was at the keyboard to play the Schumann pieces and Attila - even in rehearsal - showed the fluid Lubovitch style with grace and commitment. On the previous weekend, Attila had danced these solos for another worthy cause, the DANCE FOR JAPAN benefit in Brooklyn. This afternoon at MMAC I snuck a peek at Atti warming up in the same studio with NYCB's Janie Taylor and developed the idea of seeing them dance together sometime.

Janie was one of four NYC Ballet principal ballerinas to appear on the gala programme. She danced a duet with Tyler Angle choreographed by Benjamin Millepied entitled On The Other Side. This duet was made during a summer on Nantucket a a few years ago. Janie and Tyler have a great rapport and during the tech I had the added secret excitement of seeing Janie's hair slip out of its pin-up and become a part of her performance. Tyler and Janie, above.

You can't imagine how exciting it was for me to watch my beloved NYCB dancers in this intimate rehearsal setting. Maria Kowroski (above) danced the Preghiera from MOZARTIANA at the tech in a tee-shirt, leg warmers over black tights, and no makeup. She was able to create the celestial atmosphere of this famous Balanchine solo with her expressive port de bras and serene emotional connection to the music.

In a complete change of pace, Maria was later joined by Martin Harvey (above) to dance a sultry pas de deux from Christopher Wheeldon's setting of the dances from the opera CARMEN which he created for the Metropolitan Opera's production where Maria and Martin have performed it several times. This particular duet is set to the prelude of the opera's third act; for me, it's the most poignant music in that super-familiar opera. Maria and Martin were really into this passionate love duet, understandly so: they plan to wed this Summer. What a gorgeous couple!

Deborah Wingert, former NYCB dancer and a top-class ballet teacher and coach, sat next to me as we watched Amar Ramasar and Sterling Hyltin (above) in a dazzling rendition of The Man I Love from Balanchine's WHO CARES? Yes, it was only a rehearsal but these two dancers got right to the heart of the matter. Deborah remarked how superbly they were able to fill the space while never seeming constrained by it.

I've seen hundreds of mesmerizing dance performances over the years but nothing hits me in the heart quite like the now-classic duet from Christopher Wheeldon's AFTER THE RAIN. Arturo Delmoni and Cameron Grant played the Arvo Part score live for Wendy Whelan and Craig Hall (above). Even in a rehearsal with the dancers occasionally speaking to one another and once even cracking up over a small faux pas, this work generates a breath-taking atmosphere. Matt Murphy, who photographed the performance from the wings, spoke of how moved he was by Wendy and Craig's dancing.

Matthew Rushing (above) of Alvin Ailey gave me a remarkable experience as I watched him rehearse a solo crafted for him by Earl Mosley. Matthew is one of those dancers for whom the sheer quiet joy of dance radiates thru every centimeter of his being. I could watch this man dance for hours and in this solo there was a pure rush of Rushing. I felt yet again my extraordinary good fortune at being in the same space with such a genius of movement.

The presenters: Daniel Ulbricht and Erin Fogarty. My thanks to them and to publicist Michell Brandon Tabnick for letting me eavesdrop on the process of putting a gala together, and to all the dancers and musicians who are so generous with their time and talent and so welcoming to a starstruck viewer. Special thanks to Erin Baiano for her photographic souvenirs of a grand night of dancing.

 

Comments

[Lynne Goldberg]

Love everything written here and the photos are gorgeous.

WHAT a wonderful evening. You two did good....very very very good!!!

Thank you!

xo,
Lynne

[Laura]

Thanks so much for posting these photos!!! I especially like the one of Sterling and Amar. Look like a great event and what fun it must have been to sit next to Deborah Wingert and listen to her expert opinion!

[Krystin]

So glad you posted these photos! It must have been a real treat to see these incredible dancers at such close proximity. It's like you even notice new details in the costumes seeing them so close. I was also struck by Sterling Hyltin's beautiful ballet body and Maria K's perfect placement!